Sarracenia: Bartram Post #4

Listen to Bartram’s Passage on Pitcher Plants:

(Opening stanza by Trip Shakespeare from song “The Slacks”)

“Taste of it–how cool and animating–limpid as the morning dew”

That William drank the water caught in the pitcher plant–this is what stands out to me. And later on in this passage he remarks on the insects caught inside the pitcher plant: “…what quantities there are of them!” Did he, when drinking from the pitcher plant, tasting its waters, strain out the insects with his teeth? Yuck, yuck yuck! And even if he did so, the water inside the pitcher plant would likely contain dissolved insect guts, right? I guess he got some protein along with waters as limpid as the morning dew!

Sarracenia 624 by Beth ThompsonIn search of Sarracenia:

To find Sarracenia to photograph, I asked my guide at the Okefenokee Swamp to take us to some. We went into some shallows in the swamp, and ran right up onto the pitcher plants. It was too swampy to get out of the boat, so I stood on the front of the boat to photograph them. The picture above gives a good sense of their habitat, swampy, with a ground full of peat.

Due to the season, January, most of the pitcher plants were shriveled and dried, but this one still has the coloring and fleshy-ness of a warmer season.

“But whether the insects…serve as aliment or support to these kind of plants, is doubtful.”

This last statement by William on the insect-catching pitcher plants is interesting to me, because he was, of course, wrong. Pitcher plants grow in nutrient poor soil, or not in soil at all, but in peat, and rely very much on the insects they catch for nutrients. (As did William, apparently, in drinking the waters).  In fact, the roots of the pitcher plants serve as anchors to support the plants, and don’t absorb many nutrients, as the soil they are in has few.

Sarracenia 618 by Beth ThompsonI played around with the image above to create a new piece. I liked using a close-up as a starting image, the results were different than in some of my other pieces, and pleasing.

Possible Perception 6025: Pitcher Plant by Beth Thompson

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Sea Shell Mounds: Bartram #3

Look and Listen:

(Opening by Trip Shakespeare, from song “The Slacks”)

On reading this passage, I knew immediately where to find mounds of sea shells left by early inhabitants of the coastal isles. My grandparents place! Skidaway Island!

Sea Shell Beds by Beth ThompsonSea Shell Beds by Beth Thompson

On the way to the sea shell mounds I passed Juniperus Americana:

Juniperus Americana by Beth Thompson

Juniperus Americana by Beth Thompson

Juniperus has been the subject of one of my signature pieces: Cedar on the Marsh.

Cedar on the Marsh by Beth Thompson

I also walked beneath the majestic Corypha Palma:


Corypha Palma by Beth Thompson

I took a close-up of a young palm:

Corypha Palma Close Up by Beth Thompson

And finally reached the sea shell mounds, where live oaks (Quercus simpervirens) flourished:

Beth Thompson Photographing Sea Shell Mounds by Glenda Goss

I took several pictures of the sea shell mounds, beneath Quercus simpervirens….

Arm of Live Oak by Beth Thompson
Sea Shell Beds by Beth ThompsonSea Shell Mounds by Beth Thompson
Shell Mound with Limb by Beth ThompsonShell Mound with Limb

Out of this last image I created another Possible Place:

Possible Place 6024: Osyter Shell Mound by Beth Thompson

Possible Place 6024 by Beth Thompson
(click  image for larger view)

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Divine Longings

Listen….

Please take a moment to listen to two opening paragraphs from William Bartram’s Travels (Opening by Trip Shakespeare, from song “The Slacks”):

Goddess Nest Egg's by Beth Thompson

Goddess Nest Eggs by Beth Thompson

God Issues:

To read, write, and respond to William I have to get comfortable with the idea of God. Which is an idea that at times I am not so comfortable with. To define the Creator, the Almighty (to use William’s words) is to limit it, whatever it is.

Trusting the Unseen:

But if I don’t define my Higher Power, I am challenged to put my trust in something that I can’t define, I can’t see, I can’t touch, even with words. My God, my Goddess is an indefinable feeling, something I experience. Its only through trusting enough to leave my house in the morning and head to work, to walk out the front door to see how my day unfolds, or even by ignoring how blocked I feel and putting words down on paper anyway, that I begin to see and feel the evidence of the

love

of my Higher Power in my life.

God's Beard by Beth ThompsonGod’s Beard by Beth Thompson

Echoing through Centuries

I feel a resonance with William Bartram across the centuries, for like him; it is in the Wonder of Nature that I feel closest to God, where I find the most assurance of Divine Presence. Its for that reason that my primary focus in my photography is on the Works of Nature, and I feel that is the reason that William’s primary focus in his writing is also on the Works of Nature.

Listen….

Yesterday I opened up my Artist’s Way Daily Meditation Book and found the following reading:

Dance of Desire by Beth ThompsonDance of Desire by Beth Thompson

I love the way Julia Cameron points out irrefutable evidence that there is a creative force in the world that goes beyond me, yet one I can participate in, one that supports me and nourishes me as a co-creator.

Lust for the Divine

Last month I received a call for art from Jennifer Schwartz Gallery in Atlanta. The deadline is January 13, 2012. The call reads: “Show me lust.  Make me feel a passionate and overwhelming desire for something, anything.” I have chosen 5 images from my Possible Perception series, and called the cull: “Lust for the Divine.” I’ve pulled from that cull to illustrate this post. Enjoy!

The Perfect Thirst by Beth ThompsonThe Perfect Thirst by Beth Thompson

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The William Bartram Challenge: Bartram Post #1

Say Everything:

I recently read Say Everything by Scott Rosenberg ( http://www.sayeverything.com/ )on the history of blogging, and while I was reading it, a friend loaned me the movie “Julie and Julia”. I didn’t make time for the movie, but Julie’s blog ( http://juliepowellbooks.com/blog.html ) was mentioned in the book. So I went back and rented the movie and watched it. Julie challenges herself to cook every recipe in Julia Child’s French Cooking recipe book in 365 days. Well, it was a success as a blog, a movie has been made about it, and Julie is now working as a writer and author.

Whose Musings?

So of course, as a nature and landscape photographer in the Southeastern United States, who loves to write and to read, what book could I use as my muse, to give some direction and inspiration to my writing and photography?

My Thing is the Southeast:

Well, a person cannot be even a highly amateur naturalist and environmentalist in the Southeast without hearing some mention of William Bartram. I first heard of him when I worked with the Upper Oconee Watershed Network, UOWN ( www.uown.org ). It was said that William traveled through this neck of the woods and wrote of the crystal clear waters of the Oconee.  Which just seemed impossible to me. As anyone who regularly observes and photographs the Oconee knows, the waters are anything but crystal clear. In fact, as my image Japanese River shows, the waters are more of an orangey-red brown color, especially after a heavy rain.

Japanese Screen River by Beth Thompson

During the drought, they are green. Just when did this William person travel to the Oconee River anyway?

Middle Oconee River in October by Beth Thompson

Middle Oconee River in October by Beth Thompson

Bartram’s  Travels:

Never the less, in asking myself what book I could use to write about the nature and landscapes of the Southeast, William’s Travels came to mind. A trip to the library, and I had Francis Harper’s Naturalist Edition of William Bartram’s Travels in hand. It turns out William traveled to the Southeast in the 1700’s, prior to the Revolutionary War! That’s over 2 centuries ago! So I guess I will have to concede to William the crystal clear waters after all.

Crystal Clear Waters by Beth Thompson

Crystal Clear Waters by Beth Thompson

Yes, I would like cheese with my whine!

As much as I would like to do a 365-day challenge with reading and responding to William’s book, with both writing and photography, I am reluctant to do so. One, what would the challenge be? To photograph every plant mentioned in the book? I think there are 50 or more mentioned in the first few pages of the introduction, all by Latin names, of which I am ignorant. Or should I challenge myself to photograph in his footsteps across the Southeast? Easy enough with one William Bartram trail head I spotted only 2 hours from here, but I would need at least 3 days to drive to and photograph the Okefenokee Swamp. Not to mention areas of North Florida, Alabama, Mississippi, and Louisiana. I don’t get that much free time from my job, or enough cash to make all those trips in a single year. And there’s also the not-so-small issue of my self-kindness practice. Do I really want to take on the pressure of retracing William’s every footstep over the course of a single year? Or researching hundreds of Latin names? While working at a completely unrelated job 30+ hours a week? I know, I know, Julie did it. But she had to eat dinner anyway!

Leap and the net will appear:

They say that a journey of a thousand miles starts with a single step. So here’s my challenge: I will read and post a response to William’s Travels once a week for one year. That’s 52 posts in one year. A minimum of 52 images a year. I’ll keep going until I get to 52 posts, that’s my promise to you, my promise to myself. From translating a Latin plant name into a photograph and then into a Possible Perception or Fractal, to retracing William’s footsteps, to simply allowing his prose to inspire me to yet unknown adventures in photography and blogging, I take on this challenge.

So mote it be.

Magnolia grandiflora in autumn by Beth Thompson

Magnolia grandiflora in Autumn by Beth Thompson

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Overwhelm and Pushing through

I slept 14 hours last night, and woke up today with the idea that I would make some art. However, I still felt tired and just the thought of making art or writing a blog post or getting a jump on next year’s project (details to come soon!) made me feel even more tired and even a bit overwhelmed.
Well, I thought back to yesterday, when I came into the one hour photo lab where I work, and had 950 prints due out by 10, 4 pallets of customer orders to be organized and labeled, and a mid-shift person who didn’t show. I hit the door running and didn’t stop until I left 8 hours later. That would explain why I am tired, out of sorts, whiny, and generally overwhelmed, even at the thought of doing my own work, which I love.
A few phone calls later and I was waiting on a return phone call, I figured, I will just pick up Adobe’s Browse and see what images speak to me.
Well, Spanish Moss spoke to me, growing along a limb of a live oak that was reaching towards the light of the marsh, something like this:

Spanish Moss on Live Oak Limb, Skidaway, Savannah, by Beth Thompson

Next the marsh itself caught my eye:

Moody Sky over Marsh, Skidaway, Savannah, by Beth Thompson

Neither image seemed quite like the one I was looking to work with however, so I kept digging though my files, and finally settled on this:

Spanish Moss, Sun shining through, Skidaway, Savannah by Beth Thompson

More Spanish moss growing on a live oak, but with much more dramatic lighting. Working on and off all day I managed to create a Possible Perception of Spanish moss, and it goes something like this:

Possible Perception 6019: Spanish Moss Perception by Beth Thompson

For a more detailed view of this most awesome Spanish Moss Perception, I suggest you click on the image. I know I am tooting my own horn here, but the magic of these images is that even I don’t quite know what the end result will be until I complete the image, and every time I complete one I am completely (no pun intended) amazed and astounded. It keeps it fresh and real and keeps me coming back to the design again and again.

This one is dedicated to Helen, you know who you are, and  you know why (or at least you can guess).

Love,

Beth

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